Plus, the popularity of DSLRs and other cameras like as the iPhone mean that we’re seeing shots that jitter and shake more and more often, especially if they don’t have some kind of optical stabiliser built-in. Or maybe the shot was captured on a long lens, or even macro, magnifying even the tiniest movement of the camera. Or maybe it’s filmed from an angle where it just simply isn’t possible or practicable to use a tripod, especially with the proliferation of drone or other GoPro-type footage. It might be that there just wasn't the time or opportunity to set up a tripod. In my opinion, stabilisation should be used when you need to include a particular shot in your edit that might have been filmed under less than optimal conditions. So, what is stabilisation and what are we trying to achieve with it? But how much better are they (if at all?), and do you really need to purchase something more than what FCP X can offer?īut, before we delve into these deep questions though, it’s always useful to take a moment and consider why we would need to stabilise a shot in the first place. I’m also a fan of, where possible, working within the edit application rather than needlessly round-tripping.)īoth the third party offerings promise better results much quicker than the built-in options in FCP X. But my brief was stabilisation in FCP, thank you very much. (And just for the record, yes, I am fully aware of other solutions such as Premiere Pro’s Warp Stabilizer and DaVinci Resolve’s excellent tracking features. For the purposes of this review I was provided with an NFR licence of BetterStabilizer. I have used the FCP X stabiliser and Lock & Load on numerous occasions. The latter two options are available for $99 each - Lock & Load from the Coremelt website and BetterStabilizer through FX Factory.įor full disclosure, I am a fan of Coremelt’s FCP X plugins and bought Lock & Load some time ago. There are now three main options for stabilising your footage within Final Cut Pro X: the built-in FCP X stabilisation options, Coremelt’s Lock & Load plugin and - the new kid on the block - CrumplePop’s BetterStabilizer. And the director wants to know what you can do about it. Or the awesome drone footage of the cyclists coming down the mountain or the GoPro POV shot. Or the shot of the VIP arriving from above the heads of other onlookers. The great shot filmed by the cameraman hanging out the back of a moving vehicle (health and safety assessments all filed correctly, of course). With a couple of third party stabilisers now on the market promising to provider better and faster results than FCP X’s built-in stabilisation, we thought we’d ask Chris Roberts to provide a steadying hand… It can analyse your footage in all sorts of fascinating ways to help you fix problematic audio, to colour balance your shots and stabilise that wobbly footage. Final Cut Pro X does a number of wonderful things.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |